So Disney comes in just under the wire to finally tell us what ZOOTOPIA is actually all about, after about a year of low-key (for Disney) marketing mainly focused on anthropomorphic animal visual puns. The result:
So. The basic premise for the main character is already pretty interesting from a thematic standpoint. The animals-as-people trope has pretty much always worked best when it's making points about human behavior/society/etc by associating personality types and social-structures with (broadly-held assumptions about) animal behavior - i.e. putting any kind of identifiable human uniform/costume on an animal automatically makes a statement - and the angle here is pretty nakedly all about professional gender/class/ethnic discrimination; in as much as our lead heroine is Zootopia's "first rabbit police officer" (Ginnifer Goodwin as "Judy Hopps") apparently working to crack her first big case while facing doubts, dismissals and the stigma of "tokenism" about her abilities due to size/species/etc.
Yeah, okay. That's a solid starting-point, certainly the first place I'd imagine one would have to go with an "Aesop in 2015" pretext. But it's the hinted-at main storyline (re: Judy's big case) that looks to have a lot more to unpack, theme wise: The idea looks to be that Zootopia (the city) is a kind of futuristic metropolis that's able to exist via animals of all species having long ago evolved beyond (by agreement? By happenstance?) their predator/prey/circle-of-life "natural" relationship, and that this balance is threatened by a phenomenon of seemingly-random animal citizens (only predators?) inexplicably "going savage" aka reverting back to their primal red-in-tooth-and-claw instincts. Being a "one lone cop with a hunch" story, this presumably involves some sort of far-reaching conspiracy - a G-rated cartoon-animal version of the "everybody freak the hell out" button from KINGSMAN, maybe?
It feels like there's a lot to unpack there, yes? At the most basic, you've got a lady cop versus danger posed by (chosen? encourage? forced?) reversion to violent "natural" tendencies; which has some fairly ugly parallels in the Men's Rights/PUA scene (i.e. "I should be dominant and brutish because that's how nature/evolution intended it!" "Boys are supposed to be out-of-control little monsters! It's normal!") that couldn't have been lost on whoever was working out this premise, given that Disney projects spend ages in story-development.
But more broadly, the idea that a "bright future" civilization in the upscale L.A./San Fran mold (sunny, hyper-diverse, public-transit, prevalent mall/juicebar architectural-aesthetic) held together by the citizenry agreeing to curb behaviors that would infringe on the greater whole - implicitly, even in they come "naturally" or some have more "curbing" to do than others - being a societal ideal is (intentionally or not) a pretty close shot across the bow to trendy lowercase-l "libertarianism." It's also, thematically at least, a close cousin to bugbears of the above-mentioned takes on "human nature," in as much as the idea of boys/men lashing-out because society is evolving in a "feminized" direction where they're (supposedly) unwelcome in their "normal" state being a cornerstone of MRA ideology.
Obviously, you can't expect any of that to be (explicitly) stated in the movie-proper. It's a funny-animal movie for kids, and the premise almost certainly blossomed less out of deliberate metaphor building than something more "organic" like "Okay, city of animals - how does that actually WORK?" But on the other hand, George Miller didn't deliberately set out to make the fourth MAD MAX explicitly about patriarchy, either - sometimes the theme finds the project. Given that picking through Disney features for underlying subtext is something like a national sport at this point, I can't imagine I'll be the only one making note of it if the actual movie plays out on the same lines the trailer suggests. And since we now live in a world where casting a woman and a black man as the new leads of STAR WARS can now trigger (hilariously impotent) calls for boycott, the results should be pretty interesting.
ZOOTOPIA opens March 4th, 2015.
NOTE: This post made possible in part via support of The MovieBob Patreon. If you like what you read and would like to read more like it, please consider becoming a Patron.
Popular Posts
-
While exploring the uncharted wilderness in the 1800s, legendary frontiersman Hugh Glass sustains injuries from a brutal bear attack. When ...
-
To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video
-
As really enjoy when I guess right almost all Oscar winners and knowing that guessing is done best by following awards buzz and not consid...
-
The fourth day brings to Cannes the first monumental film flop and the dubious honor goes to an American film. The Competition Mia Madre by...
-
A couple of days ago festival organizers announced the film that will open the festival on May 13 and to the surprise of many an unexpected ...
-
Tragic news. Saturo Iwata, the colorful CEO and "public face" of Nintendo since 2002, has died of an ongoing health issue at the ...
-
NOTE: Do you like this piece? Would you like to read more like it? Please consider supporting The MovieBob Patreon. "Okay, here's t...
-
Before leaving on his second tour in Afghanistan, Marine Captain Sam Cahill, a leader, an athlete, a good husband and father, welcomes his ...
-
Today is a true crazy day in Venice as no festival programmer will burn three star-studded films in one day, except for La Mostra that in on...
Blog Arşivi
-
▼
2015
(738)
-
▼
Aralık
(196)
- Christine Husom's Snow Globe Shop Mysteries & Winn...
- Death
- Chernobyl
- The Housemaid
- Hannibal
- Review: THE HATEFUL EIGHT (2015)
- Urban Jungle
- Kingdom
- Ri0t
- Adventure of N3bulandi@
- Burn
- Mario Erasmo's "Strolling Through Rome"
- Death 2
- 1chi
- World of Tomorrow
- House
- Benefits
- B0rut0: N@rut0 the M0vie
- Saving
- Demon Slayer
- Brothers
- David A. Bell's "Napoleon: A Concise Biography"
- General Luna
- Stand
- Lives
- Under The Skin
- Grimm
- PITCH ME, MR. B: THE SEQUEL (RESULTS!)
- npcc
- Başlık yok
- Sp3ctr3
- Jason
- Wolf
- Julia Knight's "Warlords and Wastrels"
- 3lysium
- Sp0tlight
- C0nstantine
- Lady in A Car
- Blood
- The Flowers
- S3ntinel
- Knights
- Chang3lling
- Str@ight 0utt@ C0mpt0n
- J0y
- Littl3 Princ3
- Laura DiSilverio's "The Readaholics and the Poirot...
- Independence
- Original
- Big Zombie
- Sha0lin
- REALLY THAT GOOD: A CHRISTMAS STOY
- C0ncuss10n
- Paullina Simons's "The Bronze Horseman"
- Br1dge Of Spi3s
- Heart
- Cr33d
- 88th Academy Awards VFX Shortlist
- Strikes Back
- Return of Jedi
- Awakens
- A New Hope
- Announcement: PITCH ME, MR. B - THE SEQUEL
- Badlands Ep6
- Kingdom
- House Of Wax
- Eight
- IN BOB WE TRUST: "MovieBob's Top Ten of 2015 - Par...
- Sic@rio
- Kim MacQuarrie's "The Last Days of the Incas"
- R3venant
- Brush
- Royale
- A Most Wanted Man
- The Homesm@n
- A Walk
- Rise of Cobra
- Survivor
- Extr@cti0n
- Kiss
- MoJ@ve
- Pe@nuts
- Journey
- Emily Ross's "Half in Love with Death"
- A Good Day
- Compass
- 88th Academy Awards Foreign-Language Film Shortlist
- Valhalla
- Swords
- Franken
- 88th Academy Awards Music Original Score Longlist
- 30th Teddy Award Anniversary
- Clash
- Memories
- Rise
- Case 39
- Legend Ends
- Green Lantern
- P@r@n0rm@l
- 88th Academy Awards Makeup and Hairstyling Shortlist
-
▼
Aralık
(196)
Blogger tarafından desteklenmektedir.
0 yorum:
Yorum Gönder