
Yesterday the selection was revealed in the Czech gathering by European Parliament Committee on Legal affairs chair Pavel Svoboda, European Parliament Committee on Culture and Education member Bogdan Wenta, LUX Prize coordinator Doris Pack and Karlovy Vary artistic director and LUX Prize Selection panel member Karel Och.
Compiled by the LUX Prize selection panel, the 2015 films feature five first features, the first Icelandic film (Rams) and the first documentary (Toto and His Sisters) to take part in the prize finalists, as well as two films directed by female filmmakers. These are the films.
45 Years, Andrew Haigh, UK
A Perfect Day,Fernando Le�n de Aranoa, Spain
Hr�tar (Rams), Gr�mur H�konarson, Iceland and Denmark
La loi du march� (The Measure Of A Man), St�phane Briz�, France
Mediterranea, Jonas Carpignano, Italy, United States, Germany, France and Qatar
Mustang, Deniz Gamze Erg�ven, France, Germany, Turkey and Qatar
Saul Fia (Son Of Saul), L�szl� Nemes, Hungary
Toto si surorile lui (Toto And His Sisters), Alexander Nanau, Romania, Hungary and Germany
Urok (The Lesson), Kristina Grozeva and Petar Valchanovm, Bulgaria and Greece
Zvizdan (The High Sun), Dalibor Matanic, Croatia, Slovenia and Serbia

Out of these ten films, three will be selected and announced at the Venice Days press conference in Rome at the end of July as the prize competitors. These films will vie for the 2015 LUX Prize and will become the core of the 2015 LUX Film Days � an initiative that will make them circulate beyond their national market, subtitling them into 24 official languages of the European Union and screening them in the 28 member countries. The winner will be unveiled at the end of the year in Strasbourg, and will also be made available for the visually and hearing-impaired.
If you wish to read about each films and watch trailers/clips go to prize official site here.
Lastly, the LUX Film Days will let the audiences vote their favorite film through the Audience Mention. As announced yesterday, the winner of last edition's mention was Rok Bicek's Class Enemy, which received the highest number of votes from the audiences across Europe.
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